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Lawrence of Arabia: A blockbuster biography of enigmatic adventurer T. E. Lawrence is that rarity, an epic film that is additionally proficient. It loses some steam in the second half, however is still a knockout, particularly in’89 reissue rendition, which repaired numerous cuts made over the years. Cast includes Peter O’Toole, Alec Guinness, Anthony Quinn, Jack Hawkins, Claude Pours, Anthony Quayle, Arthur Kennedy, Omar Sharif, and Jose Ferrer. (216 minutes,’62)

The King and I: Phenomenal film adaptation of the Rodgers and Hammerstein Broadway musical, based on the novel filmed in’46 as Anna and the Baron of Siam (and redid as Anna and the Emperor). Kerr plays the widowed English school teacher who voyages to Siam to instruct the Baron’s numerous kids, and finds handling His Highness her best test. Brynner gives the acting job of a generation, and was rewarded with an Oscar reconstructing his Broadway role. Kerr is charming and her harmonizing voice was dubbed by Marni Nixon. Melodies contain “Hello, Young Lovers,” “Getting to Know You,” and “Shall We Dance.” Cast includes Deborah Kerr, Yul Brynner, Rita Moreno, Martin Benson, Terry Saunders, Rex Thompson, and Alan Mowbray. (133 minutes,’56)

La Petit Lili: A family’s country house is charged with sentiment while the hotheaded child, a yearning film maker actor, finds that his lady friend is captivated with his mom’s boyfriend, a triumphant head of mainstream films. Brilliant film empowered by Chekhov’s The Seagull, investigating the line between art and life, and how the 2 influence each other. Cast includes Nicole Garcia, Bernard Giraudeau, Jean-Pierre Marielle, Ludivine Sagnier, Robinson Steveniu, Julie Depardieu, Yves Jacques, and Michel Piccoli. (104 minutes, 2003)

The Little Thief: So-so personality picture of the title lass, a disassociated, amoral adolescent floating through life in postwar France. If she comes off as a girl Antoine Doinel, it’s since the original tale was co-written by Francois Truffuut, who was allegedly preparing to film this at the time of his demise. Cast includes Charlotte Gainsbourg, Didier Bezace, Simon de la Brosse, Nathalie Cardone, and Raoul Billerey. (104 minutes,’89)

Repulsion: Polanski’s first English-language film is a phenomenal mental shocker portraying the psychological deterioration of a sexually repressed gal left alone in her sibling’s condo for few nights. The film hasn’t lost one bit of its impact. It can leave you anxious for many nights after watching it. Cast includes Catherine Deneuve, Ian Hendry, John Fraser, Patrick Wymark, Yvonne Fumeaux, and James Villiers. (105 minutes,’65)

Rambo: Much better than part II, this one continues to be firmly footed in the genre of mindless action films, as our brawny idol goes behind Russian battle lines in Afghanistan to save his buddy from a prison fortress. You will see lots of eruptions to keep the action going and some funny stuff thrown in too. Cast includes Sylvester Stallone, Richard Crenna, Marc de Jonge, Kurtwood Smith, Spiros Focas, and Sasson Gabai. (101 minutes,’88)

Iron Eagle 2: A comparably idiotic sequel, with General Gossett enlisting guide Humphrey to team with his Soviet counterparts on a secret mission in the Mideast. Cast includes Louis Gossett, Jr., Mark Humphrey, Stuart Margolin, Alan Scarfe, Sharon H. Brandon, and Maury Chaykin. (105 minutes,’88)

Thieves like Us: 3 black sheep flee from jail in’30s south and go on a binge. The youngest (Carradine) falls in love with an easy, ignorant gal (Duvall). In spite of recognizable trappings, Altman digs deeply into period environment and hefty characterizations. This film gets better every time you watch it. Cast includes Keith Carradine, Shelley Duvall, John Schuck, Bert Remsen, Louise Fletcher, Ann Latham, and Tom Skerritt. (123 minutes,’87)

The Agronomist: A commanding, abrasive documentary picture of an intriguing individual, Jean Dominique, a leading Haitian figure and significant player in the nation’s battle for human being rights. The film offers observations into the affairs of state and history of Haiti in recent years. The focus of the movie is to give us a lucid image of one guy’s tough determination and large seated human rights beliefs, and his enthusiastic love for his country. The finale is shattering. (91 minutes, 2004)

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